The name of this track originates from the fact that all sounds in it were derived from banging on a wok...except for the scary vocals, that is. No matter how much abuse was heaped on the unfortunate cooking utensil it refused to talk.

The track features 4 simultaneous conflicting rhythms at 3/4, 4/4, 5/4 and 7/4 time. Listen carefully for them because they magically blend and flow together so naturally that it would never be suspected such chaos is going on in the underlying composition.